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Rock Band Country Track Pak 2 2011/02/01 発売予定 21曲収録 Billy Currington – That's How Country Boys Roll Chely Wright – Single White Female Darius Rucker – Alright Darryl Worley – Awful Beautiful Life Dierks Bentley – Sideways Dwight Yoakam – Intentional Heartache Gary Allan – Man of Me George Strait – Twang Jason Aldean – Crazy Town Johnny Cash – Ring of Fire Justin Moore – Backwoods Keith Urban – Kiss a Girl Lady Antebellum – Perfect Day Laura Bell Bundy – Giddy On Up Luke Bryan – Rain Is a Good Thing Merle Haggard – Mama Tried Rascal Flatts – Summer Nights Reba McEntire – The Night The Lights Went Out in Georgia Shania Twain – Party for Two (With Billy Currington) Sugarland – Settlin' Trace Adkins – Ride 実績 項目数：12 総ポイント：250G Ride the Groove 5-Star "Ride" as a Bassist on Hard or harder 20G Awful Beautiful Career Complete Solo Tour on any difficulty 35G International Heartachers Complete Band Tour on any difficulty 35G Wild Desire 5-star "Ring of Fire" as a Vocalist on Hard or harder 20G Country Boy Drum Roll 5-Star "That's How Country Boys Roll" as a Drummer on Hard or harder 20G It’s Been A While 5-Star "Kiss a Girl" as a Guitarist on Hard or harder 20G The One You Lean On Hit all unison bonuses in any song with Guitar, Bass, and Drums 10G Neon Dreams Maintain deployed Overdrive for 90 seconds 10G Worked All Week Score 100% notes hit with any instrument in "Sideways" … on the weekend 10G Ain't Settlin' Earn 80 stars across all songs in Solo or Band Tour 20G Perfect Play Earn a gold star on any song 40G Giddy On Up Earn more than 1,000,000 points in a single song 10G
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Rock of the Dead 項目数：26 総ポイント：1000 難易度： 注意！ 北米版本体のみ起動可能ソフトです。日本版本体では起動できません。 Perfect! Complete a level with 100% accuracy. 30 Collector. Unlock all extras. 50 Silver Record. Aquire all badges on 2 levels. 20 Gold Record. Aquire all badges on 4 levels. 40 Platinum Record. Aquire all badges on all levels. 60 Double Platinum! Aquire all badges on Hard difficulty. 80 Multi Platinum! Aquire all badges on Thrasher difficulty. 100 Trailer Trashed. Defeat the Trailersaurus Boss. 20 Mythbusted. Defeat the Crocodile Boss. 20 Crazy Train. Defeat the Rat Boss. 20 Unidentified Rocking Object. Defeat the UFO Boss. 20 Rocked the Doodlebug. Defeat the Ant Lion. 20 Black Hole Strum. Destroy the Transport Boss. 20 Heavy Metal. Defeat the Spider Boss. 20 Fender Bender. Complete 10 challenges. 30 Finger Pickin Good. Complete 20 challenges. 60 In the Zone. Obtain a score multiplier of 100. 50 Rock to the Rescue! Finish the game and get the good ending. 50 Social Destruction. Finish the game and get the evil ending. 50 Groovy! Fully upgrade your shield or blast attack. 50 Rock Will Protect Me! Complete any level taking no damage. 30 Gettin the Band Back Together! Play a co-op game. 20 I Need a Burger! Use shield with less than 25% health. 20 It s Alive! Find all the Rob Zombie pieces. 50 Undead Astro Creep. Defeat Rob Zombie. 50 Encore! Score 1,000,000 in a bonus level. 20
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The Divine Comedy Paradise /Paradiso Indypublish.Com? Dante Alighieri? Indypublish.Com? DanteAlighieri? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Authors,A-Z-(A)-Alighieri,Dante? Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-General? Subjects-Literature&Fiction-Poetry-SingleAuthors-ContinentalEuropean? Field Guide to North American Trees Grolier Book Clubs? Thomas S. Elias? GrolierBookClubs? ThomasS.Elias? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Flora-General? Subjects-Outdoors&Nature-Flora-Trees-Seed-BearingPlants? Subjects-Science-Nature&Ecology-Plants-General? Subjects-Science-Nature&Ecology-Plants-Trees-Seed-BearingPlants? Subjects-Science-BiologicalSciences-Botany-General? The Junior Classics Indypublish.Com? William Patten? Indypublish.Com? WilliamPatten? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature-ClassicsbyAge-General? The Junior Classics Indypublish.Com? William Patten? Indypublish.Com? 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【登録タグ A-One M Shihori THE BEST OF NON-STOP TOHO EUROBEAT 2011 TOHO EUROBEAT VOL.3 曲 魔法少女達の百年祭】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Rock Band Track Pack Classic Rock 項目数：12 総ポイント：250 難易度：★★☆☆☆ I Understand About Competition “Peace of Mind”で5つ星を獲得（ボーカルorギター） 20 Robbin' Banks With A Six-Gun “Take the Money and Run”で5つ星を獲得（ギターorドラム） 20 You're a Star-Belly Sneech “Holiday in Cambodia”で5つ星を獲得（ベースorボーカル） 20 Don't You Wait or Hesitate “All Right Now”で5つ星を獲得（ギターorボーカル） 20 Some People Call Me Maurice “The Joker”で5つ星を獲得（ギターorボーカル） 20 Each Must Know His Part “Closer to the Heart”で5つ星を獲得（ボーカルorドラム） 20 What Your Girlfriends Say “Can't Stand Losing You”で5つ星を獲得（フルバンド） 20 Just Another Band Out of Boston “Rock and Roll Band”で金星を獲得（フルバンド） 30 Flawless Groove ベースでノーミスで演奏する（Expert、up-strumsのみ） 20 Flawless Fretwork ギターでノーミスで演奏する（Expert） 20 Flawless Singing ボーカルでノーミスで演奏する（Expert） 20 Flawless Drumming ドラムでノーミスで演奏する（Expert） 20
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Prática http //www.marketing-e-cultura.com.br/website/pratica/prat001-b.php?cod_artigo=17 Marketing e Cultura comunhão de bens (2004, segundo semestre) Manoel Marcondes Machado Neto Marketing cultural é a atividade deliberada de viabilização físico-financeira de produtos e serviços que, comercializados ou franqueados, venham atender às demandas de fruição e enriquecimento cultural da sociedade. Primeiro foi a lei 7.505, de 2 de julho de 1986, (Lei Sarney, de incentivos fiscais à cultura), que iniciou uma nova era de mecenato no Brasil – muito embora o termo mecenato não seja o mais adequado para denominar as práticas amparadas por aquele instrumento inaugural de uma era, sim, mas de marketing cultural. Aquela lei e suas sucessivas regulamentações abriram caminho para uma visão complementar à ação do Estado no que concerne à produção cultural. Desvinculada da educação, a cultura ganhava status de ministério e num efeito cascata, estados e municípios passaram a separar as responsabilidades também em secretarias distintas. Como se fosse possível separar a cultura da educação... Sendo a cultura uma atividade econômica que movimenta cerca de 1% do PIB no Brasil, seria razoável reivindicar que o Estado alocasse 1% de seu orçamento para o setor (o que significaria, em 2004, algo em torno de 15 bilhões de reais), ao invés do atual 1 bilhão de reais investido, somados união, estados e municípios, seja com dotações orçamentárias, seja por meio de incentivos fiscais. Como isso não acontece, vêm as políticas "compensatórias" de incentivos. No entanto, qualquer política desse tipo, deve ter um caráter complementar em termos de obtenção de recursos e, por princípio, vigorar por tempo determinado. Naquele primeiro momento, as empresas puderam financiar ações culturais através da renúncia fiscal, desde que tais ações fossem levadas a cabo por produtores artístico-culturais – tanto públicos quanto privados. Essas organizações, pré-existentes ou não à lei, deveriam comprovar, junto ao Ministério da Cultura, seu objetivo de produzir e difundir a cultura e então obter um registro no Cadastro Nacional de Pessoas Jurídicas de Natureza Cultural (CNPC) – sob o controle do MinC e da Secretaria da Receita Federal do Ministério da Fazenda. O centro das ações de captação de recursos e de produção artístico-cultural era, pois, uma entidade, a qual, depois de recebido certo aporte de recursos, a título de doação ou patrocínio, deveria prestar contas ao fisco e ao MinC sobre a sua correta aplicação. Desvios eram punidos com a perda do registro. Uma segunda checagem podia ser feita a partir dos registros contábeis da empresa-patrocinadora. E o ciclo se fechava na relação empresarial entre entidade-produtora e cliente-patrocinador. Organizações que não gerassem bons resultados ou que mal-versassem recursos eram proscritas no meio. Essa abordagem, na qual o produtor era o elemento central da ação de marketing cultural é o que denominamos de primeira geração. Com a saída de cena da Lei Sarney, em 1990, eliminada que foi, junto a todas as demais leis de incentivos fiscais pelo governo Collor, surgiria, em 23 de dezembro de 1991, a lei 8.313 (Lei Rouanet) e, mais tarde, a lei 8.685 (Lei do audiovisual), de 20 de julho de 1993. Essas leis colocaram os projetos culturais no centro da ação de marketing cultural. Os projetos é que passaram a ser analisados e aprovados ou não pelo MinC (e secretarias de cultura estaduais e municipais pelo país afora, com base em sucessivas leis nessas esferas), como passíveis de captação de recursos hábeis à renúncia fiscal. Nessa altura não somente o imposto de renda (federal) passou a ser parcialmente “desviado” para a cultura diretamente pelos contribuintes, como também o foram parcelas do principal tributo estadual (o ICMS) e dos principais tributos municipais (ISS e IPTU). Não importava quem propunha a ação. Bastava que fosse um contribuinte cadastrado. E a questão crucial passou a ser, a partir daí, o montante que governos federal, estaduais e municipais permitiriam que fosse desviado (renunciado ou incentivado, como queiram) a título de apoio à cultura. Em toda essa década de Plano Real o marketing cultural funcionou assim. Essa fase em que o projeto constituiu o elemento central da ação de marketing cultural é o que chamamos de segunda geração. Estamos assistindo, diante das discussões postas pelo próprio MinC, os estertores desse ciclo. O que virá depois? Uma vez que a sociedade civil passa a constituir-se como o centro das atenções globais, que os governos vêem-se cada vez mais premidos pela responsabilidade fiscal e pelo contingenciamento de verbas e que a empresa privada vê-se cada vez mais pública, num novo sentido do termo, refém dos standards da governança corporativa, torna-se praticamente impossível a manutenção das velhas práticas de marketing cultural. Marketing Cultural de Terceira Geração (ou a transição para o fim dos incentivos fiscais à cultura) Uma nova forma de viabilização da produção artístico-cultural deve ser fundada no Brasil. Algo fora – o mais possível – dos apadrinhamentos, do amadorismo e dos orçamentos tipo “me engana que eu gosto”. Sem abrir mão da devida programação orçamentária para custeio e manutenção, as instituições culturais públicas precisam, de uma vez por todas, adotar uma filosofia de marketing. Afinal estamos todos imersos nesse mercado global em que se transformou o planeta. Não é mais possível que um museu federal, um teatro estadual ou um centro cultural municipal não procedam a uma auto-análise mercadológica para verificar com o quê estão concorrendo. Com quem estarão disputando o milagre da escolha soberana do cidadão-platéia. Conquistá-lo tem que ser seu objetivo final. Precisam, pois, exercitar competentemente seu marketing cultural de fim. As instituições privadas, por sua vez, precisam descobrir o caminho inexorável da auto-sustentabilidade. Muitas, aliás, já o encontraram. Artistas e produtores culturais necessitam urgentemente ver-se como entes pertencentes a um mercado. Sim, um mercado de arte, de cultura, de entretenimento e de trabalho. E um mercado altamente competitivo, no qual o amadorismo é punido com o pior dos esquecimentos – a morte. Uma visão de negócios, no puro sentido do termo (de não-ócio) e de empreendedorismo precisa ser posta em prática por profissionais que se estabeleçam no entorno do artista. Para praticar competentemente um marketing cultural de agente. Patrocinadores, dentre as organizações públicas e privadas, cada vez mais necessitadas de comunicar a seus públicos a que vieram – para além do lucro – e last but not the least – as pessoas físicas deste país, têm que responder ao chamamento de uma cidadania coletiva, que alcance mais que a simples satisfação das necessidades e desejos individuais. Para as primeiras, que têm no patrocínio mais um veículo para sua comunicação de marca institucional ou de produto/serviço, urge praticar competentemente um marketing cultural de meio, independente de incentivos fiscais, e, finalmente, para os cidadãos, que tal analisar já, com boa antecedência, as centenas de opções disponíveis (por enquanto) para a destinação de até 6% de seu imposto de renda a pagar, exercício 2004 ? Manoel Marcondes Machado Neto Autor do livro “Marketing Cultural das práticas à teoria”, editado pela Ciência Moderna. Atuou em produção cultural entre 1983 e 1993. Dedicou-se ao doutorado em Ciências da Comunicação na ECA/USP de 1996 a 2000, com o apoio da UERJ (PROCAD) e da CAPES (PICDT). É professor da Faculdade de Comunicação Social da UERJ. Voltar ao topo
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Gingerbread (2.3) 2011/11/8 ROM本体 http //www.4shared.com/file/TSm13srG/update-cm71-20111107-DS-ja.html md5 c5cc11c62aa75926805abae10bb60780 カーネル単体 http //www.4shared.com/file/wU-X9FWX/cm-kernel-26376_20111107.html md5 bd175a3e72c0bfb3a5594e175f980fd6 更新情報 build cyanogenmod 2011/11/05 (CM7.1) repository kernel/system enable autogroup ([[miracle patch http //gihyo.jp/admin/clip/01/linux_dt/201011/18]]) ksm support, code from ezterry s ezgb repositories add rzscontrol for original pershoot kernel users fix wifi sleep packages added ThemeChooser, ThemeManager again without themes and 166,178,237,266 Froyo (2.2) 1/2 ROM本体 http //www.4shared.com/zip/V1d3QspB/update-cm6-20120102-DS-ja.html md5 d813d5174fe499cc9f54fb16688cf817 カーネル単体 http //www.4shared.com/zip/cSZIlaCZ/cm-kernel-26376-froyo_20120101.html md5 bb3b2cb1c3d7bbe371579857949d3d30 Gapps http //goo-inside.me/gapps/gapps-mdpi-tiny-20101020-signed.zip md5 bf7b653a4320dc33b15ad945a41cd56c 手順 0. メモリ増量必須 1. リカバリに入る 2. 必要ならバックアップ取る 3. フルワイプ 4. ROM本体を焼く 5. GAPPSを焼く 6. 再起動 更新情報 build with cm6, cm7, aosp 2.2.3, etc repositories kernel cm-kernel modified by sakamoto enable autogroup, ksm support disabled modules ipv6, squashfs wlan.ko sta_dk_4_0_4_32 (not from cm-kernel included) note unsquash system/xbin.sqf system su update to 3.0.3.2 opengles 1.1 support and gpu rendering screenshot in power menu long click preferences in power widget of notification area add gingerbread text select handeler cpu freq settings in CMParts black status bar theme locale en_US, ja_JP only packages Superuser update to 3.0.7 system launcher ADWLauncher (proguard enabled) removed CMWallpapers, Launcher2, Protips replaced Gallery3D - Gallery added vim, dropbear, DroidSSHd, OpenManager, LongTextViewer config proguard enabled font japanese motoya-l-cedar (MTLc3m.ttf) emoji from http //takuo.jp/junk/Mms.apk/ replace DroidSansFallback.ttf build.prop magic 5 lines for battery exclude docomo feature dalvik jit default on system/etc/hosts some adblock (admob hosts) apns-conf.xml jp (docomo, softbank) only gps.conf change north-america.pool.ntp.org - jp.pool.ntp.org init.d add modified S97ramscript from http //forum.xda-developers.com/showthread.php?t=1111145
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このページはこちらに移転しました Spot Rock 作詞/規制用2スレ19（454スレ351） 作曲/島 I want to become special. No one must seen. I want to become perfect. No one must known. The stage is low and dirty. It is not a danced place. I want to dance gaily. More! More! More! I had forgotten it. Here was your territory. storms of complaint that if it begins. I don't want to disappear yet. Yeah Yeah! 音源 Spot Rock